The Campfire Caravan featuring The Brothers Comatose, Mipso & The Lil Smokies

Ivywild Music Presents

The Campfire Caravan featuring The Brothers Comatose, Mipso & The Lil Smokies

Fri, October 13, 2017

Doors: 8:00 pm / Show: 8:30 pm

Ivywild School

Colorado Springs, CO

$15.00 - $17.00

*General Admission tickets are standing room only for this show. A limited number of seats will be available on a first-come-first-served basis.*

The Brothers Comatose
The Brothers Comatose
Despite their name, the band is anything but Comatose. “It's just one, big, extended Morrison music party,” they say. Ben and Alex Morrison, guitar and banjo, and lead vocalists, front this rocking string band that has become a West coast headliner and national touring act in a mere four years. With stellar accompanists Phil Brezina on fiddle and Ryan Avellone on mandolin, their high energy, audience engaging shows have caught fire with fans from San Diego to Seattle to Salt Lake to Silk Hope, NC and beyond. In home turf Northern California they sell out shows in San Francisco, Santa Cruz and Petaluma and played the enormous Outside Lands Festival in San Francisco, August, 2014.

During early 2014 the band enjoyed incredible success on extended tours with Devil Makes Three and Yonder Mountain String Band which led to their own club headlining and festival summer tour. 2014 appearances included Sisters Folk Festival, Grey Fox Festival, Hangtown Festival, and shows opening for Lake Street Dive in Colorado.

At the heart of this remarkable ensemble are the songs. With two cds released and plans for a third album in 2015, the band draws from a deep knowledge of folk, rock, traditional and other genres. Stand out originals such as The Scout and Pie For Breakfast have become anthemic sing-a-longs at shows. Well chosen covers have ranged from Norman Blake to Keith Richards to Cake. They can also slow down the pace with beautiful original ballads such as Morning Time which was released as a duet with Nicki Bluhm on their current CD, 'Respect The Van’.
Mipso
Mipso
Chapel Hill quartet Mipso return with new a new album, Coming Down The Mountain (April 7, 2017) -- ten songs of love and loss and forward motion, with words that sear and salve in turn, and music that invites you in to stay a while. Mipso
ventures further than ever from their string-band pedigree to discover a broader Americana where classic folk-rock and modern alt-country mingle easily with Appalachian tradition.
It's an album aptly named, not only because the band finds purchase in a more pastoral sound, but also because of the stories they tell. These are songs about going somewhere or coming back, about our changing relationship to the idea of home, and about being pushed or pulled by forces bigger than us.
These North Carolinians cross a threshold too, adding drums for the first time in three LPs, and more electric instruments than ever to their four-part harmonies and powerful acoustic meld. The resulting album is a thing of wistful beauty, hopeful undercurrents, and panoramic soundscapes that impart intimacy.
Looking in from outside, Mipso didn't need to change much at all. Their 2015 album, Old Time Reverie, debuted at No. 1 on the Billboard bluegrass chart despite including sounds far afield from a Flatt and Scruggs record. Just a couple years before, guitarist Joseph Terrell, fiddler Libby Rodenbough, mandolin player Jacob Sharp, and bassist Wood Robinson were in college together at UNC-Chapel Hill, where they met for the first time even with being NC natives every one.
Now, it seems as if Mipso has been bringing their music to hungry audiences daily since, touring constantly, doing countless festivals, and even playing the odd nationally televised event (2015's Macy's Thanksgiving Day Parade) or political bash (2017's inaugural ball for their governor Roy Cooper).
Libby admits that all that movement takes a toll. "We hit a crazed state of being either hysterically happy or annoyed with each other. Food helps. We all agree on tacos," she says. "But travel becomes the lens we use to view everything."
Last summer, though their heads were full of songs about movement, Mipso decided to slow the world down. "Rather than put pedal to metal till we have a new album, we huddled," says Joseph. They stocked up on snacks and cases of La Croix, and set up for a week in a friend's barn on acreage usually used for growing garlic and, oddly, training dogs.
First they played each other the music they'd been listening to lately, and some inspirations stuck: the Band's singular sound, the openness of '70s Laurel Canyon fare, Whiskeytown's Gram Parsons-inspired '90s rock experiments, and how Gillian Welch's Soul Journey perfectly bridged acoustic to electric.
"We talked about adding drums and electric guitar like it was a huge symbolic shift," Joseph continues, "We joked about people yelling 'Judas!' from the crowd.” But they plugged in all the same,
MANAGEMENT
Hatchery 17 303.872.5905 mipso@hatchery17.com www.hatchery17.com
discovered that the change in sound wasn't so much of a departure after all, work-shopped demos occasionally interrupted by packs of dogs chasing birds past the big windows,
and ultimately took that looseness with them to the studio.
If it seems like the twin influences of tour angst and homey ease would be at odds, Coming Down The Mountain's titular opener puts that lie to rest. It's melancholic and lush, with pedal steel and a subtle bass groove framing Libby's lines about returning to a flawed society after a period of isolation, weary but driven. On "Spin Me Round," the fiddle sighs and soars while Jacob sings of a similar duality in love, concluding that the relationship's troubles are actually what keep it interesting.
Mipso (2017)
PUBLICITY
LiveLoud Media publicity@liveloudmedia.com 303.413.8308 www.liveloudmedia.com
BOOKING
Meanwhile, the
of Gold-era Neil Young era juxtaposes the comfort of home's dependability with the feeling of, as Joseph says, wanting to "kick a chair over, slam the door, and beat out of town." And though the spare duet "Cry Like Somebody" plays like a scathing dig at an ex, it's self-directed, as Libby explains, "to give myself a kick for crying for reasons other than real hardship—you only think as romantically as I do if you grew up with food on the table." Internal conflict is a powerful engine.
While there are joyful tunes like coming-of-age clod-kicker "Hurts So Good," Coming Down The Mountain is all the more memorable for what it does with loss—take the delicate folk fable "My Burden with Me," or funeral lament "Monterey County" with mournful pedal steel by Eric Heywood (Son Volt, Tift Merritt). The dirge-like closer "Water Runs Red" was inspired partly by Flint's water crisis, and Jacob's lilting "Hallelujah" by the 2016 Orlando tragedy. "Music is my religion these days," he says. "I find the most hope in songs and the communities that love them."
Mipso are well supported on album too, of course, with Megafaun's Brad Cook producing and a cast of North Carolina’s finest pitching in. In fact, if there's a guiding force here, it's the mercurial, imperfect nature of the very state that made Mipso. “North Carolina’s complicated. But I wouldn’t want to live in L.A, where it’s 70 degrees every day and everyone agrees with me," says Joseph.
But Mipso thrive in the difference. That's why they needed change. That's why we need them.
rambler "Talking in My Sleep" with hints of Heart
Mipso is:
Joseph Terrell (guitar, vocals) Wood Robinson (bass, vocals) Libby Rodenbough (fiddle, vocals) Jacob Sharp (mandolin, vocals)
The Lil Smokies
The Lil Smokies
The Lil Smokies
With their roots submerged in the thick buttery mud of traditional bluegrass, The Lil Smokies have sonically blossomed into a leading player in the progressive acoustic sphere, creating a new and wholly unique, melody driven sound of their own. The quintet, from Missoula, MT, has been hard at work, writing, touring and playing to an ever-growing fan base for the past 6 years. The fruits of their labor recently culminating with wins at the 2016 International Bluegrass Music Association (IBMA) Momentum Award for Best Band and at the 2015 Telluride Bluegrass festival band competition. In 2013 the band also won The Northwest String Summit Band Competition. With a unique blend of traditional bluegrass, newgrass, innumerable unique originals, sheer raw energy, and exquisite musicianship, The Lil Smokies weave seamlessly through genres, leaving behind melodies you’ll be singing to yourself for days and a jaw you’ll have to pick up off the floor.

The Lil Smokies have no problem captivating large audiences. Sharing the stage with heavyweights like Steve Martin and the Steep Canyon Rangers, The Nitty Gritty Dirt Band, Keller Williams, Greensky Bluegrass, The Emmit-Nershi Band, Yonder Mountain String Band, The Travellin’ McCourys, Sam Bush Band, Fruition, Infamous Stringdusters, Bradford Lee Folk and The Bluegrass Playboys, and dozens of others. The Lil Smokies have become festival favorites coast to coast with highlights including Delfest (MD), Pagosa Folk N’ Bluegrass (CO), ROMP Fest (KY), Hangtown Halloween (CA), Telluride Bluegrass Festival (CO), Roseberry Music Festival (ID), Northwest String Summit (OR), Targhee Bluegrass Festival (WY), River City Roots (MT) and more! This five-piece bluegrass ensemble features Andy Dunnigan (dobro), Scott Parker (upright bass), Matt Cornette (banjo), Jake Simpson (fiddle) and Matt Rieger (guitar).
Venue Information:
Ivywild School
1604 S. Cascade Ave
Colorado Springs, CO, 80905